Friday, June 19, 2026
10 am–4 pm
$145 for Members/$175 for Non–Members
Prerequisites: Botanical Drawing 1 and 2, and Watercolor 1
In this one-day workshop focused on the plants of Adkins Arboretum, participants will receive an introduction to the art of botanical sketchbooking, with special emphasis on the diversity and beauty of native flora.
You’ll begin by observing and selecting a feature plant using reference images or specimens, followed by the creation of quick thumbnail sketches to explore different shapes, details, and composition ideas. The workshop includes step-by-step instruction in botanical drawing and annotation techniques, guiding you through the process of rendering accurate and expressive plant studies.
As the session progresses, you’ll compose a polished sketchbook spread that blends illustration, color, and informative notes—a resource to inspire future painting projects. The workshop concludes with a collaborative group discussion and sharing session, providing an opportunity for participants to exchange feedback, gather ideas, and receive encouragement for continuing their botanical art journey with plants found at Adkins Arboretum.
Advance registration is required.
Materials List
- Sketchbook: Any sketchbook with good quality paper, like the field sketchbooks by WonderCabin on Etsy, or Stillman & Birn’s Zeta sketchbook series.
- Graphite: Any good quality drawing pencils or lead holders with graphite. For quick sketching, try Blackwing pencils for super smooth lines.
- Erasers: Seed Kneaded Eraser EK-NKI and Tombow MONO Zero 2/3mm Eraser.
- Paper: Your choice of hot pressed watercolor paper. Buy in cut sheets for transportation and ease of use, or in a watercolor block such as Fabriano Artistico Watercolor Blocks.
- Paint: A good, basic set like Daniel Smith Watercolor Half Pan Set of 24.
- Brushes: Raphael 8408 (#4) or Da Vinci Series 35 Long Point.
Meet Your Instructor
Margaret Saylor is a working studio artist who paints fungi and forest plants from her native Berks County, PA. She works primarily in graphite and watercolor, as well as egg tempera. Since 2013, Margaret has been the editor/designer of the American Society of Botanical Artist’s quarterly journal, The Botanical Artist.
